YEAR 2 POSTMODERN MOVING IMAGE


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 Watchmen, 2009, Director: Zack Snyder



IMPORTANT LINKS:

Cineuropa

Volta

Sundance Film Festival


Biblio  Year 3 POMO Bibliography.doc

        

Work must be submitted by 4:00 PM on the deadline date to the Visual Culture faculty office.


Students Download the following four documents:

1 Reading_and_Research_towards_Essays_&_guidelines.doc

2 essay_procedures__students.doc



STUDENTS READ BELOW !!!!!


ATTENTION! Your full name must appear not only on the cover sheet, 

but on the first page of your essay!


COURSE MATERIALS FOR DOWNLOAD:     Media Timeline.doc

STUDENTS ATTENTION PLEASE READ. Text pages from classroom powerpoints are available. I am not responsible for handing out class notes. Come to class with a pen and paper and take your own notes! Powerpoint images and film clips are not available due to copyright.

Download:  

Year three film students refer to Core Media & Film page for semiotics/simulation/media material. 

Refer to MA Art Through a Lens page for avant-garde/experimental/art film material.

Film Is Dead

Digital Technology and the Remediation of Cinema Botler

Representation, Illusion, and the Cinema

Basic Film Material:    Tropes lecture.ppt    Intensified Continuity

StudioSystem.doc    Auteur Theory.doc     Genr-HO.doc  

Lacanian Film theory.pdf        Kracauer's Theory of Film Miriam Hansen

Laura Mulvey HandOut.doc     Skjerdal against Mulvey.doc    Smelik FemFilm.doc  

American Independent Cinema.doc    Cassavetes Handout.doc    Metz’s Imaginary Signifier.doc 

Generic Trans J Cawelti.doc     Film Noir HO.doc  

Generic Hybridity, Style and Film Noir    Psychoanalysis and Film Theory 

Movie Brats.doc    Hard Hats, Movie Brats    Structuralism Handout.doc  

The Cinematic Real- Aesthetics and Spectacle Bruce Isaacs

cinema_of_attraction Tom Gunning

Making Sense of Film Tom Gunning

Aesthetic of Astonishment Tom Gunning     The Poster, the Film and In-Between

Bordwell Cognitive Film Theory.doc   David Bordwell Narration in Fiction Film.doc

Interview with David_Bordwell.doc      

David Bordwell’s Website on Cinema    Widescreen aesthetics David Bordwell

Deleuze Cinema 1- The Movement Image.doc  

Deleuze on Cinema.pdf    Rhetorical Tropes

Enunciation and Narration André Gaudreault François Jost   

Jean-Louis-Baudry-Ideological-Effects-Cinema-Apparatus

Hermeneutics.doc    Two Approaches to the Phenomenon, Television

Important Film Glossary.doc      Guy Debord Spectacle.doc

200 Important Silent Films 1895.docx

Dialogic Bakhtin Wiki.doc   Widescreen Aesthetics

Observations on the Longtake Passolini.pdf

The Kinetoscope of Time By Brander Matthews.doc

photodynamism by anton giulio bragaglia

Lev Manovich generation_flash.doc   Soft Cinema

Lev Manovich | Essays - Cinema as a Cultural Interface

Lev Manovich Cinema and Digital Media

Image Future Lev Manovich   The Gaze.doc

True Lies-Perceptual Realism Stephen Prince

Méarsiia Kinder Designing a Database Cinema.

GloriaSutton_StanVanDerBeeksMovie-Drome

Jean Baudrillard Simulacra and Science Fiction.doc

Digital Media and Cinematic Point of View JayDavidBolter

Digital Technology and the Remediation of Cinema Botler

Making Space | Senses of Cinema Sean Cubitt

Scene and Surface in the Cinema J Anderson

                                                       What’s the Point of an Index? Tom Gunning.pdf

The world is a cartoon Steve Reinke.doc    Transmedia Storytelling

McLuhan- Jean Baudrillard's.pdf   PostModern Cinema.doc    Metonymy.doc

Magic realism.doc     My Beautiful Laundrette Hybrid IDENTITY

Collaboration and Concepts of Authorship


Dean Simon, The Last Supper, 2011

Dean Simon, The Last Supper, 2011


POMO:     The Non-Rules of Post-Modern Film.doc    

Dictionary of Postmodern Terms

FILM AFTER NEW MEDIA M grieb

McLuhan, Cronenberg and Postmodern Media

postmodern characteristics   postmodernism-indicators & Films   

Sopranos Didn’t Ruin Television     Mittell-narrative-complexity

Episodic Appeal – patterns of serialised stories


DAVID LYNCH :  

Authorship and David Lynch    Blue Velvet review

David Lynch's Lesson in Fantasy     Eraserhead by David Lynch

Family Noir in Blue Velvet     Lost on Mulholland Drive

Lynch and 60s Pop Music     David Lynch Twin Peaks interview

Babara Creed Blue Velvet

Blue Velvet- a parable of male development


GUS VAN SANT:

Elephant by Gus Van Sant.pdf     Gerry Director GusVanSant.pdf     My Own Private Idaho Van Sant.pdf

JOHN WATERS :  Waters Handout.doc    Notes On Camp Sontag.doc    Camp and Kitsch.doc

Foucault History of Sexuality Pt 3 & 5.pdf

Mike Kuchar Interview.pdf

George Kuchar, Underground Filmmaker, Dies at 69.doc

J. Armstrong :   Circa Jean Cocteau


david-lachapelle-auction-highlights-jesus-is-my-homeboy-last-supper

David LaChapelle, "Last Supper," 200

© James Armstrong 2012 - 2014